Without further ado, I'll just say welcome back to my visitors, after a long summer break! Autumn is a time of color and at the moment I have a slight obsession with so called gradients.
Gradients are a particular color effect known to all Adobe users, it is a way of making colors slide and melt seamlessly into each other, and create interesting, sometimes very 3D, effects. And sometimes they just look horrible, I must admit. When I started working with graphic design, particularly Adobe Illustrator, color gradients were considered in the worst possible taste, and could only be justified if you had to make natural looking glass or metal surfaces on, say, a technical/architectural illustration. Otherwise they were just no go.
But I can't have been the only one who have loved to play with the little color swatch slider tools, forever getting lost in more and more weird looking blends and fadings.
I find it great, that they are no more on the graphic design black list!
They can be quite complicated to work with, and not only because you have to be really good at isolating certain areas in an illustration from others, to make them technically work, but also because they tend to get quite overwhelming.
I've come across
Sara Andreasson on Instagram, she's a funky Swedish graphic artist, who did the popsicles above, and also does these fat, lovely slobs of pastel color that kind of pops out from the screen!
They kind of remind me of
Roy Lichtenstein's brush stroke paintings, even though these paintings are the very opposite thing: three dimensionality made with flat color, quite amazing, in fact. I've always loved those!
But I've saved the most elegant use of gradients I've seen for a long time, for last.
Danish graphic designer Torsten Lindsø Andersen, have made this series of proposed designs for Jack Kerouac's novels, and they have deservedly been spotted by many book design enthusiasts. They look like nothing else I've seen, and they are quite stunning. And they add a metaphysical and yet really appealing vibe to litterature, that's probably not easy to make covers for, without rolling around in clichés.
I really like them, and they made me want to read the books again!
This is a student project of his, from 2012, but looks super fresh, and if I was Penguin Books, I'd certainly give him a call.
I did actually read both On The Road and Dharma Bums (not Lonesome Traveller, though) when I was around twenty, but I didn't like them much, I remember struggling to actually finish them. I don't exactly remember why. Maybe it would be an entirely different experience now, some thirty years later?
Don't say we don't judge books by their covers.
